Since signing to Sugar Hill Records at age 16, Sarah Jarosz has barely stopped to catch her breath, even as she leaves audiences and critics alike breathless. Rolling Stone has compared her to Gillian Welch; Mojo labeled her a “newgrass prodigy” for her skills on banjo, guitar and mandolin; and the normally reserved New York Times hailed her as “one of acoustic music’s finest talents,” with songwriting chops to match her instrumental prowess.

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